It’s one of the most quietly iconic living rooms in American cultural history. 

There is a photograph: a man sits cross-legged on the floor, dressed in velvet. Behind him, a woman reclines on a chaise in a fire-red gown. The room around them is scattered with records, books, the casual chaos of mid-century counterculture. The man is Bob Dylan. The woman is Sally Grossman. The year is 1965.

Photographed by Daniel Kramer, the image became the cover of Bringing It All Back Home, and a kind of shrine to a moment when folk and rock music cracked open to let something stranger in.

Now, that same living room, and the historic home it belongs to, is for sale.

Nestled on 72 wooded acres in Woodstock, New York, the estate is asking $4.9 million through Zoopla, its listing pitched as a rare chance to own a working piece of music and design history. But this is more than just a house with a famous photo to its name. It’s a thoughtfully laid out compound that once formed the nucleus of a creative revolution. And it’s built, quite literally, for people who make things.

Albert Grossman, the formidable impresario who managed Bob Dylan, Janis Joplin, The Band, and others, bought the main house in the early ’60s and gradually expanded the property into what was then called Bearsville. Unlike other celebrity getaways, Grossman’s vision wasn’t about privacy for its own sake — it was about creating a self-contained cultural ecosystem: studios, salons, spaces to argue, drink, experiment. He called it “a place for artists to do their work,” and it became a proving ground for the collisions of folk, blues, rock and poetry that defined the era.